Glimmers of the Radiant Real

Opening Reception
Saturday October 13, 2018 - 2pm to 5pm

Round Table Discussion
Saturday November 17, 2018 - 2pm to 4pm

  • Xiaojing Yan, Cloud Cell, Freshwater pearls, monofilament thread, aluminum, 96” x 45” x 45”, 2014. Courtesy of the artist.
  • Katie Bethune-Leamen, A Third And Final Part: Peary & Ahnighito, HD video, 16’53”, Scored by Andy McCluskey (Orchestral Manoeuvres in the Dark), 2012.
  • Mary Pratt, Christmas Turkey; 1980; oil on masonite; Purchase, 1981. Collection of The Robert McLaughlin Gallery.
  • Sandy Plotnikoff, Foil Problem, Foils, acrylic, image transfer, industrial foil, 14” x 11”, 2017.
  • Broadbent Sisters, Midnight Forms, short film, 2017.
  • Cole Swanson, Tuesday Night Special, Chicken skeleton (Mammoth BBQ Chicken), blood, 24 carat gold leaf, 2013
  • Catherine Telford Keogh, The telephone melted into a pond of blue goo in Jasmine’s clammy palm after a caller’s obscene message. Glass, Unico® Stuffed Manzanilla Olives, Maynards Swedish Berries, White Wood Letters by Artminds®, 9” pigmented FlexFoam-iT! ® III, LEGO® found objects, 3D printed cookies, Yankee Candle® Home Sweet Home® Fragrance SpheresTM, Del Monte® Sliced Peaches Yellow Cling Peaches, President’s Choice® The Decadent Chocolate Chip Cookie, Bick’s® Dill Pickles, Smooth-Cast® 325, 326, Miscellaneous Objects, Aluminum Drain, Inkjet Print on Transparency, Con-Tact® Brand Creative CoveringTM Self-Adhesive Shelf and Drawer Liner, Granite, Snake Plywood, 12″ x 42” x 42”, 2018
  • Daniel Griffin Hunt, Portal, Saran Wrap, site specific performance, 2015-ongoing
  • Sanaz Mazinani, Threshold, video, Mirrored acrylic, wood, silicone, 2015. Courtesy of the Artist and Stephen Bulger Gallery.
Previous Images
  • Xiaojing Yan, Cloud Cell, Freshwater pearls, monofilament thread, aluminum, 96” x 45” x 45”, 2014. Courtesy of the artist.
  • Katie Bethune-Leamen, A Third And Final Part: Peary & Ahnighito, HD video, 16’53”, Scored by Andy McCluskey (Orchestral Manoeuvres in the Dark), 2012.
  • Mary Pratt, Christmas Turkey; 1980; oil on masonite; Purchase, 1981. Collection of The Robert McLaughlin Gallery.
  • Sandy Plotnikoff, Foil Problem, Foils, acrylic, image transfer, industrial foil, 14” x 11”, 2017.
  • Broadbent Sisters, Midnight Forms, short film, 2017.
  • Cole Swanson, Tuesday Night Special, Chicken skeleton (Mammoth BBQ Chicken), blood, 24 carat gold leaf, 2013
  • Catherine Telford Keogh, The telephone melted into a pond of blue goo in Jasmine’s clammy palm after a caller’s obscene message. Glass, Unico® Stuffed Manzanilla Olives, Maynards Swedish Berries, White Wood Letters by Artminds®, 9” pigmented FlexFoam-iT! ® III, LEGO® found objects, 3D printed cookies, Yankee Candle® Home Sweet Home® Fragrance SpheresTM, Del Monte® Sliced Peaches Yellow Cling Peaches, President’s Choice® The Decadent Chocolate Chip Cookie, Bick’s® Dill Pickles, Smooth-Cast® 325, 326, Miscellaneous Objects, Aluminum Drain, Inkjet Print on Transparency, Con-Tact® Brand Creative CoveringTM Self-Adhesive Shelf and Drawer Liner, Granite, Snake Plywood, 12″ x 42” x 42”, 2018
  • Daniel Griffin Hunt, Portal, Saran Wrap, site specific performance, 2015-ongoing
  • Sanaz Mazinani, Threshold, video, Mirrored acrylic, wood, silicone, 2015. Courtesy of the Artist and Stephen Bulger Gallery.
Next Images

Curated by Ruth Jones and Sam Mogelonsky
Organized and circulated by the Robert McLaughlin Gallery, in collaboration with the Art Gallery of Peterborough and the McIntosh Gallery

Katie Bethune-Leamen, Broadbent Sisters, Daniel Griffin Hunt, Sanaz Mazinani, Sandy Plotnikoff, Mary Pratt, Cole Swanson, Catherine Telford-Keogh, Xiaojing Yan

What happens when surfaces glitter, gleam, sparkle, and shine? In Glimmers of the Radiant Real, radiance, that quality of projected light we associate so often with the marvelous and the modern, is subverted by the relationship between the quality of a surface and what it covers, reflects, or contains. Surface is the point of contact for the body, it’s skin and texture and touch. The glistening, shining surfaces of works by Katie Bethune-Leamen, the Broadbent Sisters, Daniel Griffin Hunt, Sanaz Mazinani, Sandy Plotnikoff, Mary Pratt, Cole Swanson, Catherine Telford-Keogh, and Xiaojing Yan manipulate the viewer’s perception of dimension through reflections and refractions, thereby un-forming the object and making the familiar strange.

The artists and works featured in the exhibition use a variety of materials to generate these surface effects, from glass to gold, foil, plastic, and pearls. Each material has its own qualities of shine and reflection, and each combination of qualities reacts with a work’s source and subject to yield a different effect: gilded insect wings sketch a house’s morbid geography, material treatments upend expectations of form and colour, and dollar-store detritus, sunk in resin, seems to glow behind glass. For the viewer, the result is a combination of material familiarity and perceptual distortion.

In video, sculpture, drawing, painting, and installation, these works invite us to transform as they do, through interactions with surfaces that dazzle, using light to obscure or fracture the images and clarity we expect. They answer a craving for radiance, a desire to be like them, shining and seemingly limitless. They offer the promise of the object made new, but even if they speak in the same material language of the glittering and the precious, the modern, and the transcendent, they speak its opposite, too, a language of obscurity and disappearance, complicating the shining and ideal. They layer the surface substances that gloss the world we know, offering glimmers of a radiant reality where light becomes, not truth illuminated, but something else.

For more information, please visit glimmersoftheradiantreal.ca

We thank our sponsors, partners and donors for their continuing support and help in making the exhibition programming and this catalogue come to life. We are grateful to our sponsors Partners in Art, Burgundy Asset Management, and Ridgewood Capital Asset Management and to our media partner Akimbo Art Promotions, and our generous donors. We also acknowledge the support of the Canada Council for the Arts, the Ontario Arts Council and the City of Peterborough.

The exhibition will travel to the McIntosh Gallery: January 17 – March 16, 2019

logos for Partners in Art, Akimbo, Burgundy Asset Management and Ridgewood Capital Asset Management